Pluck

Mama Kilio

2011-09-21T07:43:00.000-07:00

Lucky if you get to read this!

Listen To Me

2011-09-21T07:36:00.000-07:00

by J Mascis

music here

G/C Am Bm Am- Am

chorus

C D Em 3x- Em

D Em C

Listen to me I can't wait to see you I can't wait to be you I can't wait  The pain's on me I can't wait to meet you I can't wait to see you I can't wait  Waiting's what we do Not enough to give enough to you Wish there was a place where it made sense A place where we could rest and we would know  The pain's on me I can't wait to be you I can't wait to feel you I can't wait  Listen to me I can't wait to see you I can't wait to be you I can't wait  Should it take so long Something that's so real to come along I feel the pull but I can't pay the price That don't make it right I need to know  What's left of me I can't wait I done it  And don't stay (Long And I can't wait)  Listen to me Is it right to be here I can't fight Can't win i'm not right  Pain is what we do Got enough to make some more for you I can take so much before I bleed Knowing what's at stake is all I do  Listen Listen to me

Uncommon guitar sense: reviewing found web sites

2009-08-05T22:28:00.000-07:00

http://lessons.mikedodge.com/default.htm

So What

2009-05-14T16:28:00.000-07:00

http://www.youtube.com/watch?v=mKSFUN2zqzA

This lick is the theme of 'So What' from the Miles Davis album 'Kind of Blue'.

Here it says: "This first-take, unrehearsed Miles Davis session from 1959 is a true masterpiece. It was the key recording of what became modal jazz, a music free of fixed harmonies and forms.
The band itself is extraordinary (proof of Miles Davis's masterful casting skills), listing John Coltrane and Julian "Cannonball" Adderley on saxophones, Bill Evans (or, on "Freddie Freeloader," Wynton Kelly) on piano, and the crack rhythm unit of Paul Chambers on bass and Jimmy Cobb on drums."

A youtube lesson to start with, and the accompanying pdf

For guitar:

#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: tgannon@charlie.usd.edu (spideir)

"So What" (Miles Davis)--opening "theme"
=========
-- comp. Miles Davis & Bill Evans (from _Kind_of_Blue_, 1959)
-- guitar arr., tcg, '8?, '94
-- 4/4 // Keys: Dm; Ebm // Allegro
__3__
-- eighth notes (1 &) are "swing" 8ths: closer to 1 & & . . . .
DAH duh
-- what follows is the opening of the tune (after some Debussy-esque
ad-lib piano diddling by Evans), apparently the only pre-composed
part of the song; it's a neat interplay of bluesy bass and quartal
piano chords, both integrated into the following guitar "arrangement":

Form (32-bar): ||: A (8 measures) - A (8) - B (8) - A (8) :||

{pick-up measure} A:: Em7/11 Dm7/11 Em7/11 Dm7/11
-----------------||----------7==---5--|------------------|----------7==---5-|
-----------------||----------8==---6--|------------------|----------8==---6-|
-----------------||o---------7==---5--|------------------|----------7==---5-|
-----------------||o---------7==---5--|------------------|----------7==---5-|
----------5-/7---||--5==-----7==---5--|----------5-/7----|--5-------7==---5-|
--3/5-7-8------8-||-------------------|--3/5-7-8------8--|----5==-----------|
1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 &

Em7/11 Dm7/11 Em7/11 Dm7/11
|------------------|---------7==---5--|------------------|----------7==---5-|
|------------------|---------8==---6--|------------------|----------7==---5-|
|------------------|---------7==---5--|------------------|----------7==---5-|
|------------------|---------7==---5--|------------------|----------7==---5-|
|----------5-/7----|-5==-----7==---5--|---5/7--/7--/7-5==|==5==-----7==---5-|
|--3/5-7-8------8--|------------------|------------------|------------------|
1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 &

__________________ __________________
| 1. [repeat A]| 2. [to B->]
|-----------------||-------------------|
|-----------------||-------------------|
|----------------o||-------------------|
|----------------o||-------------------|
|----------5-/7---||----------6-/8-----|
|--3/5-7-8------8-||--4/6-8-9------9---|
1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 &

B:: Fm7/11 Ebm7/11 Fm7/11 Ebm7/11
|---------8==---6--|------------------|----------8==---6-|------------------|
|---------9==---7--|------------------|----------9==---7-|------------------|
|---------8==---6--|------------------|----------8==---6-|------------------|
|---------8==---6--|------------------|----------8==---6-|------------------|
|-6==-----8==---6--|----------6-/8----|--6-------8==---6-|----------6-/8----|
|------------------|--4/6-8-9------9--|----6==-----------|--4/6-8-9------9--|
1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 &

Fm7/11 Ebm7/11 Fm7/11 Ebm7/11 [to A->]
|---------8==---6--|------------------|----------8==---6-|-----------------||
|---------9==---7--|------------------|----------9==---7-|-----------------||
|---------8==---6--|------------------|----------8==---6-|----------------o||
|---------8==---6--|------------------|----------8==---6-|----------------o||
|-6==-----8==---6--|----------6-/8----|--6-------8==---6-|----------5-/7---||
|------------------|--4/6-8-9------9--|----6==-----------|--3/5-7-8------8-||
1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 & 1 & 2 & 3 & 4 &

... rest of tune a free-form improv over the same A-A-B-A 32--|bar form: two
8-bar sections ("A-A") of Dm dorian, 8 bars of Ebm dorian ("B"), and 8 more
bars ("A") of Dm dorian.

The bass starts "walking," the piano comps/ ad-libs quartal-modal chord voicings, and Miles & the other horn players take leads in Dm & Ebm Dorian.
Dorian in Dm: d-e-f-g-a-b-c-d;
Eb Dorian a half-step higher). . . .

Here's the start of Miles' lead, to give you a
better idea (note that the D dorian scale "fits" whether the chord is Dm7/11
or Em7/11: both consist of notes from this very scale)--

{pick-up} A::
-10=====-||------------------|------------------|------------|
---------||------------------|------10-8----10--|------------|
---------||--7============---|--10--------------|--7-7=------|
---------||------------------|------------------|------------|
---------||------------------|------------------|------------|
---------||------------------|------------------|------------|
3 & 4 & 1 2 3 4 1 & 2 & 3 & 4 & 1 & 2 &

|
--:--tcg
)

The bass:

Riff A Part 1

E--0-5-7-8-----8----|
A----------5-7---5--|
D-------------------|
G-------------------|

Riff A Part 2

E--0-5-7-8-----8---5-|
A----------5-7---5---|
D--------------------|
G--------------------|

Riff A Part 3

E--6/7--6/7-6/7---5-|
A---------------5---|
D-------------------|
G-------------------|

Riff B Part 1

E--1----------------|
A----1-3-4-----4----|
D----------1-3---1--|
G-------------------|

Riff B Part 2

E--1-----------------|
A----1-3-4-----4---1-|
D----------1-3---1---|
G--------------------|

Order of Apearance

Intro (Not Usually Played)

Part A 1 x1
Part A 2 x1
Part A 1 x1
Part A 3 x1

Part A 1 x1
Part A 2 x1
Part A 1 x1
Part A 3 x1

Part B 1 x1
Part B 2 x1
Part B 1 x1
Part B 2 x1

Part A 1 x1
Part A 2 x1
Part A 1 x1
Part A 3 x1

Solos

There you have it. Simple as pie.

Beginning Little Wing

2009-05-04T21:09:00.000-07:00

Em D/F# G
Well, she's walking through the clouds
Am Em7
with a circus mind that's running wild
Bm7 Bbm7 Am7 C
buterflies and zebras and moonbeams
G Fadd9 C D
and fairy tales, fly on little wing.

When I´m sad , she comes to me
with a thousand smiles she give to me free.
It's alright , she says It's allright,
take anything you want from me,
anything, anything,...

Inter: con acordes del tema.

Well, she's walking...

When I´m sad,...

Fadd9:xx3313
Em7:x7978x

Try this if you want to learn how to play the guitar.

Someone's

2009-05-01T17:04:00.000-07:00

Live acoustic.

John Frusciante, Someone's.
Tabbed by Leandro Koren, leandro_koren@yahoo.com.ar.

-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
John Frusciante - Someone's 1:52
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
L & M: John Frusciante
Track 2 From:
To Record Only Water For Ten Days
2000 Niandra Lades Music BMI.

Transcription By Leandro Koren,
leandro_koren@hotmail.com
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-

Intro: Gm x4

Gm Cm
Someone's waiting to fly with me
Gm Cm
Someone's saying goodbye
Bb Cm
Everytime she says hello cuz they both
Bb Cm
Connect no one to show
Gm Cm
But I'm floating down this air stream
Gm Cm
I'm floating and it's every dream
Bb Cm
I've ever had and I'm so
Bb Cm
Happy and sad cuz they both
Eb F
Connect me with when I've never been a
Gm
Earth body

Gm x4

Gm Cm
Any house is a frame
Gm Cm
Anything real has a friend
Bb Cm
We talk ourselves out of it
Bb Cm Cm
Without precounts to hidden not-forgives
Gm Cm
Everywhere I look there's a face
Gm Cm
Everyone deserved has a place
Bb Cm
Crowding's just a word
Bb Cm Cm
Everytime draws a light bright
Gm Cm
Hold and turn me infinite
Gm Cm
Hold and turn me infinite
Bb Cm
Someone's taken me all
Bb Cm Cm Gm
Someone's taken me all, over out there

Chords:

Gm Cm Bb F Eb
E|-3-|-3-|-1-|-1-|-6-|
B|-3-|-4-|-3-|-1-|-8-|
G|-3-|-5-|-3-|-2-|-8-|
D|-5-|-5-|-3-|-3-|-8-|
A|-5-|-3-|-1-|-3-|-6-|
e|-3-|-X-|-X-|-1-|-X-|

#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
SOMEONE'S
As recorded by John Frusciante
(From the 2001 Album TO RECORD ONLY WATER FOR TEN DAYS)

Transcribed by Matt Nicholas

Words and Music by John Frusciante

Gtr I (E A D G B E) - 'Untitled'

Intro
Q=120
Gm
4/4
Gtr I
E E E Q E E E E E E Q E E E E E E Q E E E E E E Q E E E
|-----3-3--3---3-|-----3-3--3---3-|-----3-3--3---3-|-----3-3--3---3-|
|-3-3-3-3--3-3-3-|-3-3-3-3--3-3-3-|-3-3-3-3--3-3-3-|-3-3-3-3--3-3-3-|
|-3-3-3-3--3-3-3-|-3-3-3-3--3-3-3-|-3-3-3-3--3-3-3-|-3-3-3-3--3-3-3-|
|-5-5-5-5--5-5-5-|-5-5-5-5--5-5-5-|-5-5-5-5--5-5-5-|-5-5-5-5--5-5-5-|
|-5-5-5-5--5-5-5-|-5-5-5-5--5-5-5-|-5-5-5-5--5-5-5-|-5-5-5-5--5-5-5-|
|-3-3--------3---|-3-3--------3---|-3-3--------3---|-3-3--------3---|

Verse
Gm Cm Gm Cm
E E E Q E E E E E E Q E E E E E E Q E E E E E E Q E E E
||------3-3--3---3-|-----3-3--3---3-|-----3-3--3---3-|-3-3-3-3--3-----|
||o-3-3-3-3--3-3-3-|-4-4-4-4--4-4-4-|-3-3-3-3--3-3-3-|-4-4-4-6--4-4---|
||--3-3-3-3--3-3-3-|-5-5-5-5--5-5-5-|-3-3-3-3--3-3-3-|-5-5-5-x--5-5-5-|
||--5-5-5-5--5-5-5-|-5-5-5-5--5-5-5-|-5-5-5-5--5-5-5-|-5-5-5-5--5-5-5-|
||o-5-5-5-5--5-5-5-|-3-3---3--3-3-3-|-5-5-5-5--5-5-5-|-3-3-3-3--3-3-3-|
||--3-3--------3---|----------------|-3-3--------3---|----------------|

Bb Cm Bb Cm
E E E Q E E E E E E Q E E E E E E Q E E E E E E Q E E E
|-----1-1--1---1-|-----3-3--3---3-|-----1-1--1---1-|-----3-3--3---3---||
|-3-3-3-3--3-3-3-|-4-4-4-4--4-4-4-|-3-3-3-3--3-3-3-|-4-4-4-4--4-4-4--o||
|-3-3-3-3--3-3-3-|-5-5-5-5--5-5-5-|-3-3-3-3--3-3-3-|-5-5-5-5--5-5-5---||
|-3-3-3-3--3-3-3-|-5-5-5-5--5-5-5-|-3-3-3-3--3-3-3-|-5-5-5-5--5-5-5---||
|-1-1---1--1-1-1-|-3-3---3--3-3-3-|-1-1---1--1-1-1-|-3-3---3--3-3-3--o||
|----------------|----------------|----------------|------------------||

Bridge
Eb F
E E E Q E E E E E E Q E E E E E E Q E E E
|-----6-6--6---6-|-----------8---8-----8-|-----------8---8-----8-|
|-8-8-8-8--8-8-8-|-10-10-10-10--10-10-10-|-10-10-10-10--10-10-10-|
|-8-8-8-8--8-8-8-|-10-10-10-10--10-10-10-|-10-10-10-10--10-10-10-|
|-8-8-8-8--8-8-8-|-10-10-10-10--10-10-10-|-10-10-10-10--10-10-10-|
|-6-6-6-6--6-6-6-|--8--8--8--8---8--8--8-|--8--8--8--8---8--8--8-|
|----------------|-----------------------|-----------------------|

Pre-Verse
Gm
E E E Q E E E E E E Q E E E E E E Q E E E E E E Q E E E
|-----3-3--3---3-|-----3-3--3---3-|-----3-3--3---3-|-----3-3--3---3--|
|-3-3-3-3--3-3-3-|-3-3-3-3--3-3-3-|-3-3-3-3--3-3-3-|-3-3-3-3--3-3-3--|
|-3-3-3-3--3-3-3-|-3-3-3-3--3-3-3-|-3-3-3-3--3-3-3-|-3-3-3-3--3-3-3--|
|-5-5-5-5--5-5-5-|-5-5-5-5--5-5-5-|-5-5-5-5--5-5-5-|-5-5-5-5--5-5-5--|
|-5-5-5-5--5-5-5-|-5-5-5-5--5-5-5-|-5-5-5-5--5-5-5-|-5-5-5-5--5-5-5--|
|-3-3--------3---|-3-3--------3---|-3-3--------3---|-3-3--------3----|

Verse
Gm Cm Gm Cm
E E E Q E E E E E E Q E E E E E E Q E E E E E E Q E E E
||------3-3--3---3-|-----3-3--3---3-|-----3-3--3---3-|-3-3-3-3--3-----|
||o-3-3-3-3--3-3-3-|-4-4-4-4--4-4-4-|-3-3-3-3--3-3-3-|-4-4-4-6--4-4---|
||--3-3-3-3--3-3-3-|-5-5-5-5--5-5-5-|-3-3-3-3--3-3-3-|-5-5-5-x--5-5-5-|
||--5-5-5-5--5-5-5-|-5-5-5-5--5-5-5-|-5-5-5-5--5-5-5-|-5-5-5-5--5-5-5-|
||o-5-5-5-5--5-5-5-|-3-3---3--3-3-3-|-5-5-5-5--5-5-5-|-3-3-3-3--3-3-3-|
||--3-3--------3---|----------------|-3-3--------3---|----------------|

Bb Cm Bb
E E E Q E E E E E E Q E E E E E E Q E E E
|-----1-1--1---1-|-----3-3--3---3-|-----1-1--1---1-|
|-3-3-3-3--3-3-3-|-4-4-4-4--4-4-4-|-3-3-3-3--3-3-3-|
|-3-3-3-3--3-3-3-|-5-5-5-5--5-5-5-|-3-3-3-3--3-3-3-|
|-3-3-3-3--3-3-3-|-5-5-5-5--5-5-5-|-3-3-3-3--3-3-3-|
|-1-1---1--1-1-1-|-3-3---3--3-3-3-|-1-1---1--1-1-1-|
|----------------|----------------|----------------|

Cm
E E E Q E E E E E E Q E E E 3x
|-----3-3--3---3-|-----3-3--3---3----||
|-4-4-4-4--4-4-4-|-4-4-4-4--4-4-4---o||
|-5-5-5-5--5-5-5-|-5-5-5-5--5-5-5----||
|-5-5-5-5--5-5-5-|-5-5-5-5--5-5-5----||
|-3-3---3--3-3-3-|-3-3---3--3-3-3---o||
|----------------|-------------------||

Gm
W +W
|-3--------|-(3)----*|
|-3--------|-(3)----*|
|-3--------|-(3)----*|
|-5--------|-(5)----*|
|-5--------|-(5)----*|
|-3--------|-(3)----*|

Going inside

2009-04-30T15:17:00.000-07:00

What if someone plays it like this and feels happy? Could that be wrong? Well John seems to enjoy it. And he even recorded a studio version. Acoustic version, the power tab here. I copy here another tab I found:

-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

John Frusciante - Going Inside 3:36
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
L & M: John Frusciante
Track 1 From:

To Record Only Water For Ten Days
2000 Niandra Lades Music BMI.

Tabbed By Leandro Koren.
leandro_koren@hotmail.com
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=

Intro: Gm C (D# C)

1° Guitar: (Distorted) Or Maybe John's Voice.

2° Guitar:

Gm C D# C D# C
E|---3----3---|---3----3---|-------------------------|------------------------|
B|---3----3---|---5----5---|-------------------------|------------------------|
G|---3----3---|---5----5---|-----10-------------7----|-----10-------------7---|
D|---5----5---|---5----5---|--8------8-------5-----5-|--8------8-------5-----5|
A|---5----5---|---3----3---|6-------------3----------|6-------------3---------|
E|---3----3---|---X----X---|-------------------------|------------------------|

Gm F
You don't throw your life away
C Gm
Going inside
Gm F
You get to know who watching you
C Gm
And you decide who resides
Gm F
In your body
C
Where you're slow
Gm
Where you go, doesn't matter
Gm
Cos there will come a time
F C Gm
When time goes out the window
Bb F
And you'll learn to drive out of focus
Cm Gm
I'm you
Bb F
And if anything unfolds,
Cm Eb
It's supposed to

Ooo

-=-=-
Intro
-=-=-

-=-=-=-
Verse 2
-=-=-=-

Gm F
You don't throw your time away
C Gm
Sitting still
Gm F
I'm in a chain of memories
C Gm
It's my will
Gm F
And I had to consult some figures
C Gm
Of the past
Gm F
And I know someone after me
C Gm
Will go right back
Bb F
I'm not telling
Cm Gm
A view
Bb F
I've got this night
Cm Eb
To unglue
Bb F Cm Gm
I'll loot this spite away
Bb F
By doing things there's no reason
Cm Eb
To do

Outro:

E|-1--1--1---1--1--1---3--3--3--3--3--3-|----------------------------|
B|-3--3--3---1--1--1---5--5--5--5--5--5-|----------------------------|
G|-3--3--3---2--2--2---5--5--5--5--5--5-|-----10-------------7-------|
D|-3--3--3---3--3--3---5--5--5--5--5--5-|--8------8-------5-----5----|
A|-1--1--1---3--3--3---3--3--3--3--3--3-|6-------------3-------------|
e|-----------1--1--1--------------------|----------------------------|

E|-1-1-1-1-1-|----------------------------|X 2 |--3-3--|
B|-1-1-1-1-1-|----------------------------| |--3-3--|
G|-2-2-2-2-2-|-----10-------------7-------| |--3-3--|
D|-3-3-3-3-3-|--8------8-------5-----5----| |--5-5--|
A|-3-3-3-3-3-|6-------------3-------------| |--5-5--|
e|-1-1-1-1-1-|----------------------------| |--3-3--|

||End On Gm||

Chords:

Gm C F Bb Eb Cm
E|-3-|-3-|-1-|-1-|-6-|-3-|
B|-3-|-5-|-1-|-3-|-8-|-4-|
G|-3-|-5-|-2-|-3-|-8-|-5-|
D|-5-|-5-|-3-|-3-|-8-|-5-|
A|-5-|-3-|-3-|-1-|-6-|-3-|
e|-3-|-X-|-1-|-X-|-X-|-X-|

-=-=-=-=-=-=-=-=-=-=-=-=-=--=-=-=-=-=--=-=-=-=-=-=-=-=-=-=-=-=-=--=-=-=-=-=--
Produce By John Frusciante
Mixed By Jimmy Boyled
Mixing Assisted By Brian Grimmel
Mastered By Vlado Meller At Sony Music Studio, New York.
-=-=-=-=-=-=-=-=-=-=-=-=-=--=-=-=-=-=--=-=-=-=-=-=-=-=-=-=-=-=-=--=-=-=-=-=--
:: Ultimate Guitar Archive ::
http://www.ultimate-guitar.com

END

+--------------------------------------------------------------------------+
| This file is the author's own work and represents their interpretation |
| of the song. You may only use this file for private study, scholarship, |
| or research. |
+--------------------------------------------------------------------------+

Strange highs and strange lows

2009-04-29T18:17:00.000-07:00

#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#

STRANGE LOVE
As recorded by John Frusciante

Transcribed by Matt Nicholas

Words and Music by Depeche Mode

Gtr I (E A D G B E) - 'Acoustic'

 Intro
 Q=125
 Am                G               C  D
4/4                               2/4
 Gtr I
 Q  E Q  E E S S   Q  E Q  E E E   q  q
|-0--0-0--0-0-0-0-|-3--3-3--3-3-3-|-------|
|-1--1-1--1-1-1-1-|-3--3-3--3-3-3-|-5--7--|
|-2--2-2--2-2-2-2-|-4--4-4--4-4-4-|-5--7--|
|-2--2-2--2-2-2-2-|-5--5-5--5-5-5-|-5--7--|
|-0--0-0--0-0-0-0-|-5--5-5--5-5-5-|-3--5--|
|-----------------|-3--3-3--3-3-3-|-------|


 Em                                   C                Am
4/4
  E  E E E Q  E E   E E E E E E E E   E E E E Q  E E   +E  E E E E E E E
|------------------|-----------------|----------------|-------------------|
|------------------|-----------------|----------------|-----------3-3-0---|
|-------0---2--0---|-----0---2-2-0---|-----0---2--0---|-------0---------0-|
|-----2---2------2-|---2---2-------2-|---2---2--------|-----2---2---------|
|-(2)--------------|-----------------|-3------------0-|-(0)---------------|
|--0---------------|-0---------------|----------------|-------------------|


 $
 Em                                 C                Am
 E E E E Q  E E   E E E E E E E E   E E E E Q  E E   +E  E E E E E E E
|----------------|-----------------|----------------|-------------------|
|----------------|-----------------|----------------|-----------3-3-0---|
|-----0---2--0---|-----0---2-2-0---|-----0---2--0---|-------0---------0-|
|---2---2------2-|---2---2-------2-|---2---2--------|-----2---2---------|
|----------------|-----------------|-3------------0-|-(0)---------------|
|-0--------------|-0---------------|----------------|-------------------|


  Verse
   Em                                 C                D
   E E E E E E E E   E E E Q  E E E   E E E Q  E E E   E E E Q  E E E   3x
||------------------|----------------|----------------|------------------||
||o-----------------|----------------|-------1--------|-------3---------o||
||------------------|----------------|-----0----0---0-|-----0----0---0---||
||------5---4-2---2-|-4-2---4--2---0-|---2--------2---|---4--------4-----||
||o---2-------------|------------2---|-3--------------|-5---------------o||
||--0-----0-----0---|-----0----------|----------------|------------------||


                                                      To Coda
 Em              D               Am              C      D
 Q  E Q  E E E   Q  E Q  E E E   Q  E Q  E E E   Q  E E Q  Q
|-0--0-0--0-0-0-|-2--2-2--2-2-2-|-0--0-0--0-0-0-|-0--0-0-2--2--|
|-0--0-0--0-0-0-|-3--3-3--3-3-3-|-1--1-1--1-1-1-|-1--1-1-3--3--|
|-0--0-0--0-0-0-|-2--2-2--2-2-2-|-2--2-2--2-2-2-|-0--0-0-2--2--|
|-2--2-2--2-2-2-|-0--0-0--0-0-0-|-2--2-2--2-2-2-|-2--2-2-0--0--|
|-2--2-2--2-2-2-|---------------|-0--0-0--0-0-0-|-3--3-3-------|
|-0--0-0--0-0-0-|---------------|---------------|--------------|


  Chorus
   Em              C      D         Em              Am
   Q  E Q  E E E   Q  E E Q  Q   3x Q  E Q  E E E   Q  E Q  E E S S
||--0--0-0--0-0-0-|-0--0-0-2--2---||-0--0-0--0-0-0-|-0--0-0--0-0-0-0-|
||o-0--0-0--0-0-0-|-1--1-1-3--3--o||-0--0-0--0-0-0-|-1--1-1--1-1-1-1-|
||--0--0-0--0-0-0-|-0--0-0-2--2---||-0--0-0--0-0-0-|-2--2-2--2-2-2-2-|
||--2--2-2--2-2-2-|-2--2-2-0--0---||-2--2-2--2-2-2-|-2--2-2--2-2-2-2-|
||o-2--2-2--2-2-2-|-3--3-3-------o||-2--2-2--2-2-2-|-0--0-0--0-0-0-0-|
||--0--0-0--0-0-0-|---------------||-0--0-0--0-0-0-|-----------------|


          D.S. al Coda
 G               C  D
                2/4
 Q  E Q  E E E   q  q
|-3--3-3--3-3-3-|-------|
|-3--3-3--3-3-3-|-5--7--|
|-4--4-4--4-4-4-|-5--7--|
|-5--5-5--5-5-5-|-5--7--|
|-5--5-5--5-5-5-|-3--5--|
|-3--3-3--3-3-3-|-------|


Bridge
 H=H                       Q=150
 &
 Em
4/4
 E S S S S E S S S S E S S   E S S S S E S S S S E S S
|-0-0-0-0-0-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-0-0-0-0-0-|
|-0-0-0-0-0-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-0-0-0-0-0-|
|-0-0-0-0-0-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-0-0-0-0-0-|
|-2-2-2-2-2-2-2-2-2-2-2-2-2-|-2-2-2-2-2-2-2-2-2-2-2-2-2-|
|-2-2-2-2-2-2-2-2-2-2-2-2-2-|-2-2-2-2-2-2-2-2-2-2-2-2-2-|
|-0-0-0-0-0-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-0-0-0-0-0-|


 C                           D
 E S S S S E S S S S E S S   E S S S S E S S S S E S S
|-0-0-0-0-0-0-0-0-0-0-0-0-0-|-2-2-2-2-2-2-2-2-2-2-2-2-2-|
|-1-1-1-1-1-1-1-1-1-1-1-1-1-|-3-3-3-3-3-3-3-3-3-3-3-3-3-|
|-0-0-0-0-0-0-0-0-0-0-0-0-0-|-2-2-2-2-2-2-2-2-2-2-2-2-2-|
|-2-2-2-2-2-2-2-2-2-2-2-2-2-|-0-0-0-0-0-0-0-0-0-0-0-0-0-|
|-3-3-3-3-3-3-3-3-3-3-3-3-3-|---------------------------|
|---------------------------|---------------------------|


   Em
   E S S S S E S S S S E S S   E S S S S E S S S S E S S
||--0-0-0-0-0-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-0-0-0-0-0--|
||o-0-0-0-0-0-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-0-0-0-0-0--|
||--0-0-0-0-0-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-0-0-0-0-0--|
||--2-2-2-2-2-2-2-2-2-2-2-2-2-|-2-2-2-2-2-2-2-2-2-2-2-2-2--|
||o-2-2-2-2-2-2-2-2-2-2-2-2-2-|-2-2-2-2-2-2-2-2-2-2-2-2-2--|
||--0-0-0-0-0-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-0-0-0-0-0--|


 C                           D
 E S S S S E S S S S E S S   E S S S S E S S S S E S S  5x
|-0-0-0-0-0-0-0-0-0-0-0-0-0-|-2-2-2-2-2-2-2-2-2-2-2-2-2--||
|-1-1-1-1-1-1-1-1-1-1-1-1-1-|-3-3-3-3-3-3-3-3-3-3-3-3-3-o||
|-0-0-0-0-0-0-0-0-0-0-0-0-0-|-2-2-2-2-2-2-2-2-2-2-2-2-2--||
|-2-2-2-2-2-2-2-2-2-2-2-2-2-|-0-0-0-0-0-0-0-0-0-0-0-0-0--||
|-3-3-3-3-3-3-3-3-3-3-3-3-3-|---------------------------o||
|---------------------------|----------------------------||


Chorus
 Q=125
 Em               C      D       Em              C      D
  Q  E Q  E E E   Q  E E Q  Q    Q  E Q  E E E   Q  E E Q  Q
|-^0----0--0-0-0-|-0--0-0-2--2--|-0--0-0--0-0-0-|-0--0-0-2--2--|
|-^0----0--0-0-0-|-1--1-1-3--3--|-0--0-0--0-0-0-|-1--1-1-3--3--|
|-^0----0--0-0-0-|-0--0-0-2--2--|-0--0-0--0-0-0-|-0--0-0-2--2--|
|-^2--2-2--2-2-2-|-2--2-2-0--0--|-2--2-2--2-2-2-|-2--2-2-0--0--|
|-^2----2--2-2-2-|-3--3-3-------|-2--2-2--2-2-2-|-3--3-3-------|
|-^0----0--0-0-0-|--------------|-0--0-0--0-0-0-|--------------|


 Em              C      D       Em              Am
 Q  E Q  E E E   Q  E E Q  Q    Q  E Q  E E E   Q  E Q  E E S S
|-0--0-0--0-0-0-|-0--0-0-2--2--|-0--0-0--0-0-0-|-0--0-0--0-0-0-0-|
|-0--0-0--0-0-0-|-1--1-1-3--3--|-0--0-0--0-0-0-|-1--1-1--1-1-1-1-|
|-0--0-0--0-0-0-|-0--0-0-2--2--|-0--0-0--0-0-0-|-2--2-2--2-2-2-2-|
|-2--2-2--2-2-2-|-2--2-2-0--0--|-2--2-2--2-2-2-|-2--2-2--2-2-2-2-|
|-2--2-2--2-2-2-|-3--3-3-------|-2--2-2--2-2-2-|-0--0-0--0-0-0-0-|
|-0--0-0--0-0-0-|--------------|-0--0-0--0-0-0-|-----------------|


 G               C  D
 Q  E Q  E E E   q  q  H
|-3--3-3--3-3-3-|------------*|
|-3--3-3--3-3-3-|-5--7-------*|
|-4--4-4--4-4-4-|-5--7-------*|
|-5--5-5--5-5-5-|-5--7-------*|
|-5--5-5--5-5-5-|-3--5-------*|
|-3--3-3--3-3-3-|------------*|


Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff

Tablature Legend
----------------
h   - hammer-on
p   - pull-off
b   - bend
pb  - pre-bend
r   - bend release (if no number after the r, then release immediately)
/\  - slide into or out of (from/to "nowhere")
s   - legato slide
S   - shift slide
<n> - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
~   - vibrato
tr  - trill
T   - tap
TP  - trem. picking
PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
\n  - tremolo bar down
n/  - tremolo bar up
/n\  - tremolo bar inverted dip
=   - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x   - on rhythm slash represents muted slash
o   - on rhythm slash represents single note slash

Misc Legend
-----------
|  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
:  - bar (freetime)
$  - Segno
&  - Coda
Tempo markers - <E/E./Q/Q./H/H.> = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths

** Generated using Power Tab Editor by Brad Larsen: The Official Power Tab Web Site

True love will find you in the end

2009-04-28T16:56:00.000-07:00

by Daniel Johnston. Let me learn it.

G
True love will find you in the end
c G
Youll find out just who was your friend
Em Am
Don’t be sad, I know you will,
C
But don’t give up until
C G
True love finds you in the end.

This is a promise with a catch
Only if youre looking will it find you
‘cause true love is searching too
But how can it recognise you
Unless you step out into the light?
But don’t give up until
True love finds you in the end.

I feel like going home

2009-04-28T14:38:00.000-07:00

by Yo La Tengo

Can you feel anything?

He calls me to the ocean
Takes me wandering through the street
A restless imagination
But for now, I move my feet on the ground
'Cause I feel like going home

I can float above the ceiling
I like drifting through the air
I tend to lose my concentration
But right now, the cries don't appeal to me
I feel like going home

Sometimes late at night
While runnin' from the rain
Running from the voices
Filling up my brain
Now I wish they'd leave me alone
And let me be
To grow up on my own
Let me be to go home
I feel like going home

What A Wonderful World--

2009-04-28T06:33:00.000-07:00

By George David Weiss and Bob Thiele

Tabbed by:Jeffkamungu
Email:geoffykom@yahoo.com

Tuning:Standard
Arpegio style

Intro: F Gm F Gm I see.....
e|-------1------|--------3-----|-------1------|------3----------------------|
B|-----1---1----|------3---3---|-----1---1----|----3------------------------|
G|---2-------2--|----3------3--|---2-------2--|--3--------------------------|
D|-3------------|-5------------|-3------------|-5---------------------------|
A|--------------|--------------|--------------|-----------------------------|
E|--------------|--------------|--------------|-----------------------------|

F Am7 Bb Am7 Gm
e|-------1------|-------0------|--------------|-------0------|-------3------|
B|-----1---1----|-------1------|-------3------|-------1------|-----3---3----|
G|---2-------2--|-----0---0----|-----3---3----|------0---0---|---3-------3--|
D|-3------------|---2-------3--|---3-------3--|---3--------3-|-5------------|
A|--------------|-0------------|-1------------|-0------------|--------------|
E|--------------|--------------|--------------|--------------|--------------|

F A7 Dm Db
e|--------1-------|----------------|-------1--------|-------1--------|
B|------1----1----|--------2-------|-----3----3-----|-----2----2-----|
G|----2--------1--|-----0-----0----|---2---------2--|---1--------1---|
D|-3--------------|---2---------2--|-0--------------|----------------|
A|----------------|-0--------------|----------------|-4--------------|
E|----------------|----------------|----------------|----------------|

Db Gm7 C7 F
e|---------1----|-------3---------|----------------|-------0------------------|
B|------2-----2-|-------3---------|-------0--------|-----1---1----------------|
G|----1---------|-----3----3------|-----3----3-----|---2--------2-------------|
D|--------------|---3--------3----|---2---------3--|-3------------------------|
A|-4------------|-----------------|-3--------------|--------------------------|
E|--------------|-3---------------|----------------|--------------------------|

F+ Bmaj7 C7
e|----------1-------|--------1-------|-----------------|----------------------|
B|-------2-----2----|--------3-------|---------0-------|----------------------|
G|----2-----------2-|------2----2----|------3-----3----|----------------------|
D|-3----------------|----3---------3-|---2-----------2-|----------------------|
A|------------------|-1--------------|-3---------------|----------------------|
E|------------------|----------------|-----------------|----------------------|

F Am7 Bb Am7 Gm
e|-------1------|-------0------|--------------|-------0------|-------3------|
B|-----1---1----|-------1------|-------3------|-------1------|-----3---3----|
G|---2-------2--|-----0---0----|-----3---3----|------0---0---|---3-------3--|
D|-3------------|---2-------3--|---3-------3--|---2--------3-|-5------------|
A|--------------|-0------------|-1------------|-0------------|--------------|
E|--------------|--------------|--------------|--------------|--------------|

F A7 Dm Db
e|--------1-------|----------------|-------1--------|-------1--------|
B|------1----1----|--------2-------|-----3----3-----|-----2----2-----|
G|----2--------1--|-----0-----0----|---2---------2--|---1--------1---|
D|-3--------------|---2---------2--|-0--------------|----------------|
A|----------------|-0--------------|----------------|-4--------------|
E|----------------|----------------|----------------|----------------|

Db Gm7 C7 F
e|---------1----|-------3---------|----------------|-------0------------------|
B|------2-----2-|-------3---------|-------0--------|-----1---1----------------|
G|----1---------|-----3----3------|-----3----3-----|---2--------2-------------|
D|--------------|---3--------3----|---2---------3--|-3------------------------|
A|-4------------|-----------------|-3--------------|--------------------------|
E|--------------|-3---------------|----------------|--------------------------|

Bb F The
e|--------------------------------|---------1-------------------------------|
B|----------3---------------3-----|------1-----1----------------------------|
G|-------3-----3---------3-----3--|---2-----------2-------------------------|
D|----3----------3----3-----------|-3---------------------------------------|
A|-1---------------1--------------|-----------------------------------------|
E|--------------------------------|-----------------------------------------|

colours.. Gm C Am7 Dm
e|--------3----------|-------0-------|---------0-------|---------1----------|
B|--------3----------|-------1-------|---------1-------|------3-----3-------|
G|------3----3-------|-----0----0----|-------0----0----|---2-----------2----|
D|----3---------3----|---2--------2--|----2----------2-|-0------------------|
A|-------------------|-3-------------|-0---------------|--------------------|
E|-3-----------------|---------------|-----------------|--------------------|

Gm C Am7 Dm I see
e|--------3----------|-------0-------|---------0-------|---------1----------|
B|--------3----------|-------1-------|---------1-------|------3-----3-------|
G|------3----3-------|-----0----0----|-------0----0----|---2-----------2----|
D|----3---------3----|---2--------2--|----2----------2-|-0------------------|
A|-------------------|-3-------------|-0---------------|--------------------|
E|-3-----------------|---------------|-----------------|--------------------|

friends.. Dm Am7
e|---------1--------|----------0-------|
B|------3-----3-----|----------1-------|
G|---2-----------2--|-------0-----0----|
D|-0----------------|----2-----------2-|
A|------------------|-0----------------|
E|------------------|------------------|

Dm Am7
e|---------1--------|----------0-------|
B|------3-----3-----|----------1-------|
G|---2-----------2--|-------0-----0----|
D|-3----------------|----2-----------2-|
A|------------------|-0----------------|
E|------------------|------------------|

Dm F#dim7 Gm7 C
e|----------1-------|-------2--------|--------3------|--------0-------------|
B|-------3-----3----|-----1----1-----|--------3------|--------1-------------|
G|----2-----------2-|---2---------2--|------3----3---|------0---0-----------|
D|-0----------------|-1--------------|----3--------3-|---2--------0---------|
A|------------------|----------------|---------------|-3--------------------|
E|------------------|----------------|-3-------------|----------------------|

F Am7 Bb Am7 Gm
e|-------1------|-------0------|--------------|-------0------|-------3------|
B|-----1---1----|-------1------|-------3------|-------1------|-----3---3----|
G|---2-------2--|-----0---0----|-----3---3----|------0---0---|---3-------3--|
D|-3------------|---2-------3--|---3-------3--|---3--------3-|-5------------|
A|--------------|-0------------|-1------------|-0------------|--------------|
E|--------------|--------------|--------------|--------------|--------------|

F A7 Dm Db
e|--------1-------|----------------|-------1--------|-------1--------|
B|------1----1----|--------2-------|-----3----3-----|-----2----2-----|
G|----2--------1--|-----0-----0----|---2---------2--|---1--------1---|
D|-3--------------|---2---------2--|-0--------------|----------------|
A|----------------|-0--------------|----------------|-4--------------|
E|----------------|----------------|----------------|----------------|

Db Gm7 C7 F
e|---------1----|-------3---------|----------------|-------0------------------|
B|------2-----2-|-------3---------|-------0--------|-----1---1----------------|
G|----1---------|-----3----3------|-----3----3-----|---2--------2-------------|
D|--------------|---3--------3----|---2---------3--|-3------------------------|
A|-4------------|-----------------|-3--------------|--------------------------|
E|--------------|-3---------------|----------------|--------------------------|

Eb D G7
e|-------4--------|---------2----------------2------|-------1---------1-----|
B|-------5--------|------3-----3-----------3----3---|-------0---------0-----|
G|-----4----4-----|---2-----------2-----2---------2-|-----------------------|
D|---5--------5---|-0----------------0--------------|-----0-----0---0-------|
A|-6--------------|---------------------------------|---2--------2-2--------|
E|----------------|---------------------------------|-3-----------3---------|

C7 F.

| / slide up
| \ slide down
| h hammer-on
| p pull-off
| ~ vibrato
| + harmonic
| x Mute note

The chords are here, transposed, though..., you can figure out the thing if you open your ears and connect your soul...

D F#m G F#m
I see trees of green, red roses too
Em7 D F#7 Bm
I see them bloom, for me and you,
Bb Em7/A A7 D / D+ / Gmaj7 / A7 /
And I think to myself, What a wonderful world.

D F#m G F#m
I see skies of blue and clouds of white,
Em7 D F#7 Bm
The bright blessed day, the dark sacred night,
Bb Em7/A A7 D / G / G / D /
And I think to myself, what a wonderful world

A7 D
The colors of the rainbow, so pretty in the sky
A7 D
Are also on the faces of people goin' by
Bm F#m Bm F#m
I see friends shaking hands, saying, "How do you do?"
Em7 F#dim7 Em7 F#dim7 Em7
They're really saying, "I love you."

A7 D F#m G F#m
I hear babies cry, I watch them grow
Em7 D F#7 Bm
They'll learn much more than I'll ever know,
Bb Em7/A A7 D / F#m7b5 / B7
And I think to myself what a wonderful world

Em7 Em7/A A7b9 D G6 D
Yes I think to myself, what a wonderful world.

D+: xx0332
F#dim7: xx1212
F#m7b5: xx2212
A7b9: x02320
G6: 320000

The Past Recedes

2009-04-28T06:06:00.000-07:00

by John Frusciante.

Another gem from the solo artist: the original video is here.

The guitar solo for acoustic, steel stringed:

E |--10---8h10p8s7---7h8p7s5---------|--7--------------------------
B |---------------------------8—7—8--|----10-8-7-8----7-5-3--------
G |----------------------------------|-----------------------------
D |----------------------------------|-----------------------------
A |----------------------------------|-----------------------------
E |----------------------------------|-----------------------------

E |---------------------------|---------------------------------3--
B |–3h5p3p0--0---0------------|----------------------3—1h3p1p0-----
G |------------2---2—0h2p0--0-|--0------------0-4-0----------------
D |---------------------------|----4-2-0-2-4-----------------------
A |---------------------------|------------------------------------
E |---------------------------|------------------------------------

E |--7—-5h7p5s3--3---10-10---12--12--12--12---14--14---14----------
B |--------------------------15b-15b-15b-15b—-17b-17b—17b----------
G |----------------------------------------------------------------
D |----------------------------------------------------------------
A |----------------------------------------------------------------
E |----------------------------------------------------------------

E |--11---11------11-----12----------------------------------------
B |--12—--12b(r)--12-----------------------------------------------
G |----------------------------------------------------------------
D |----------------------------------------------------------------
A |----------------------------------------------------------------
E |----------------------------------------------------------------

The song goes :

|| G D Am Em || x3

|| G D Am ||

|| G D Am Em || : || And then the past recedes || And I won't be involved || The effort to be free || Seems pointless from above || Yor're looking down at' me || I'd rather stay below || Than have you staring up at me ||

|| G D Am B || : ||Theres nowhere I want to goooooooo||

|| C D7 Em D ||: || Ay, this business of how long we try to stay alive || Why to be here you've first got to die || So I gave it a try||

|| C G ||: || And what do you know ||

|| Am D7 ||: || Time was so long ago ||

|| G D Am Em || : ||And thinks come back you see || To where they don't belong || And every drop of sea||

|| G D Am B ||: ||Is the whole ocean oooooooohhh ||

|| C D7 ||: I lied to the greatest thieves

|| Em D ||: || About anything and everything ||

|| C D7 Em || : || I'm a figure of forgotten speech ||

|| D ||: || I'm our of reach ||

|| C G || : || I can't play it safe ||

|| Am D7 || : || But I might just in case ||

Love not dead

2009-04-25T12:14:00.000-07:00

by Daniel Johnston

(tab by Zack)

A E A D
| 1 2 3 4 | 1 2 3 4 | 1 2 3 4 | 1 2 3 4 |

A E D A
| 1 2 3 4 | 1 2 3 4 | 1 2 3 4 | 1 2 3 4 |
it was love at first sight
when I talked to her
it was the beginning of a real good time
all I knew was her
and when I came around
love had lingered on my mind

D E A D
| 1 2 3 4 | 1 2 3 4 | 1 2 3 4 | 1 2 3 4 |

D E A
| 1 2 3 4 | 1 2 3 4 | 1 2 3 4 | 1 2 3 4 |

she said on the telephone
she wished me well.
so alive with a spell
until I hung up early
I've realized
I've been dead for so long

(verse chords)
all my memories of her
like a fading light I suffer
thinking of our love for so long
back in the early days
I saw a lot of her
she was the coolest girl in town

(chorus chords)
and when I saw her standing there
everything was all right
I took a journey in my mind
and as I saw her beauty
she was so kind
that was a good time

(verse chords)
everyday we met it was wild
I felt like a child
I loved to see her smile
and as I played piano
I was so inspired
I always had a real good time

(chorus chords)
and when last we met
I just can't forget
I took for sure I love her bad
I just can't ignore
her loving response
I always knew she'd be all right

(verse chords)
she made me think I was okay
and the love seemed so real
I still got feelings for her
and when I'm on tour
singing about her forever
I'll remember blessings
and the good times we had

(chorus chords)
I really tried to play the game of love
and I hate to loose
maybe I can win somehow
and so I'll dream of her
for a thousand years
until I see another girl

D E A
| 1 2 3 4 | 1 2 3 4 | 1 2 3 4 | 1 2 3 4 |

that's the way it always was
that's the way it always was
that's the way it always was

The Beatles

2009-04-25T12:07:00.000-07:00

DAniel Johnston - Yip / Jump Music (1983)

Chords: (thanks to Zack)
C F C
(lick at “God bless them”: c-c-Bb-Bb-a-a-g-g-f)

When I was born in '61

They already had a hit
They worked so hard and they
Made it too
They really were very good
They deserved all their success
They earned it yes they did they didn't
Buy their respect
And everybody wanted to be like them
Everybody wanted to be the Beatles
And I really wanted to be like him
But he died
A legendary rock group
Like history now to read
Like a magical fairy tale that's hard to believe
But it really did happen
Four lads who shook the world
God bless them for what they done
God bless them for what they done

Joe´s Butter´s Flies

2009-04-24T05:58:00.000-07:00

Joe Butterfly

Flew through his butter

This sunny morning

---

Esta cancion se compone de lo siguiente, en cuanto a la guitarra:

Son varias pequeños pedazos (3 o 4) , similares en ritmo, y relacionados entre sí. Después viene un cambio hacia una secuencia de acordes y se cantan desgarradoras líricas , sobre un ambiente de guitarras con ruido.

Estos riffs son de la siguiente manera:

Batería:

Bajo:

Riff A1: Gm o otro, acorde con la melodía del bajo

-------------------------------------

Riff A2 (Am#)

-------------------------------------

Riff B

Riff C

Parte 2:

loop bajo:

acordes: con tónica basados en el bajo pero todavía está for definir su carácter.

Batería:

La secuencia es:

parte 1

intro: riff a * 4

estrofa1: riff a x 2 , riff a2 x 2

estrofa

cambio

parte 2

loop de bajo:

acordes :

Comentarios sobre la guitarra en Joe´s Butter.

Los riffs pueden variarse en ritmo, según el efecto deseado, utilizando notas más o menos rápidas o largas.

La guitarra eléctrica puede tocar el riff junto con el acorde menor entremezclado, si solamente hay un guitarrista. Se recomienda un sonido abrasivo para el acorde. La melodía con las notas bajas en la guitarra puede tener un sonido surf, o rocabilly. Lo importante es mantener el tempo sin balanceos.

El bajo y la batería indican el ritmo, se busca que sea vivaz.

La batería es como sigue:

La versión lenta da espacio para que el bajista toque riffs muy poderosos y sencillos, y cantar con más sentimiento. El guitarrista podrá recordar a Andy Summers y buscar añadir algunas capas de brisa. Usar efecto de chorus, reverberación, delay, buen volumen que alcance a saturar.

La versión rápida con bajo estilo Sting permite cantar líneas más sensuales y autoriza al guitarrista a tocar guitarra con sonido de navaja. Para lograr el sonido se debe ecualizar el amplificador para resaltar el ataque (treble: 8 a 10) y atenuar los medios (mid: 4-5). Los bajos también se deben poner mas o menos en 3-4. Con los controles de tono de la guitarra se debe poder pasar del sonido distorsionado con la perilla en 0, hasta un sonido totalmente claro con la perilla en 10. Cuando un control de tono esté en 10, puede haber demasiada estática, y probablemente deba bajarle el volumen con el control de volumen de la guitarra.

tags: the Police, funk.

La letra es:

Worms and Butterflies

1 The Blindman

Show me
If the sun still rises
Throwing his beams all around the world

Tell me please
If the moon's still high
Dropping her tears all over the land

2 The Flight

Day after day
Night after night
I'm gonna walk away from this obscure land

From time to time
I'm gonna turn my head
To check if you're still on my track

I'll never gonna let you
Put your teeth into my finger
Never will let you put your lazy speech into my mind

You're fat in body and mind
You've been caught in the million mouths net
Of the fisherman that was fished last night

3 Horizon

I hear roars and hummings
Are they real sounds all around
Or just signs of abstinence into my brain

I know the flight's not easy
But I've heard of brilliant thieves
That helped confused jokers to sing while runing away

Clouds of sound are dancing around
Rivers of voice flowing from my soul
Bursts of transformed birds can be seen throug the sky

Watch the horizon and hear the calling
It makes you feel there are more senses
May the night will be plenty of shining stars

4 Ending Tornado (missing)

Gm A# Gm

bla bla bla blabla bla bla blabla bla bla bla

Gm A# Gm A# (C)

bla bla bla blabla bla bla blabla bla bla blabla bla bla bla

Gm A# Gm A#

bla bla bla blabla bla bla blabla bla bla bla

Gm A# Gm A#

bla bla bla blabla bla bla blabla bla bla bla

Coro:

quedan invitados a hacer su aporte.

Soul music

2009-04-24T05:57:00.001-07:00

There´s something in the air: http://www.youtube.com/watch?v=H7o3uTemxpg

Tabbed by: Anthony

Solo 1
E ------------------------------------------|
B -13/10--10/8--8/10--10/12-12/13-----------|
G ------------------------------------------|
D ------------------------------------------|
A ------------------------------------------|
E ------------------------------------------|

Solo 2
E ------------------------------------------------10/12/13
B 13/15-15-13-10-10/8-13/10-15-17-13/10-13/8-13/10--------
G --------------------------------------------------------
D --------------------------------------------------------
A --------------------------------------------------------
E --------------------------------------------------------

Solo 3
E ---17-17/15-17/12--13/10--8/10-10/8-10-10-10/8/5-
B -------------------------------------------------
G -------------------------------------------------
D -------------------------------------------------
A -------------------------------------------------
E -------------------------------------------------

E --8/3--8/5---------------------------------------
B ---------------10-10-10-10-----------------------
G ----------7/9/7-----------7/9/7--7/9/5---5/7-----
D ---------------------------------------7---------
A -------------------------------------------------
E -------------------------------------------------

E -------13/12--------------------------|
B ----10-------13/15/10----13/8--10-----|
G --------------------------------------|
D --------------------------------------|
A --------------------------------------|
E --------------------------------------|

Intro: F C Dm C F C Dm
E-----------------------------------------------|
B-----10--10--10--10--10----5-5/6--6--6-6-6/5---|
G-----------------------------------------------|
D-----------------------------------------------|
A---8---8---8---8---8-------3-3/5--5-5-5-5/3----|
E-----------------------------------------------|

E-----------------------------------------------|
B-----10--10--10--10--10--8--5/6---6p8-6p8------|
G-----------------------------------------------|
D-----------------------------------------------|
A----8---8---8---8---8-------3/5----------------|
E-----------------------------------------------|

F
Scar tissue that I wish you saw
Dm
Sarcastic mister know it all
F
Close your eyes and I’ll kiss you ’cause
Dm
With the birds I’ll share

F
With the birds I’ll share
Dm
This lonely view
F
With the birds I’ll share
Dm
This lonely view

F
Push me up against the wall
Dm
Young Kentucky girl in a push-up bra
F
Fallin’ all over myself
Dm
To lick your heart and taste your health ’cause

F
With the birds I’ll share
Dm
This lonely view
F
With the birds I’ll share
Dm
This lonely view

F
Blood loss in a bathroom stall
Dm
Southern girl with a scarlet drawl
F
Wave goodbye to ma and pa ’cause
Dm
With the birds I’ll share

F
With the birds I’ll share
Dm
This lonely view
F
With the birds I’ll share
Dm
This lonely view

F
Soft spoken with a broken jaw
Dm
Step outside but not to brawl
F
Autumn’s sweet we call it fall
Dm
I’ll make it to the moon if I have to crawl and

F
With the birds I’ll share
Dm
This lonely view
F
With the birds I’ll share
Dm
This lonely view

F
Scar tissue that I wish you saw
Dm
Sarcastic mister know it all
F
Close your eyes and I’ll kiss you ’cause
Dm
With the birds I’ll share

F
With the birds I’ll share
Dm
This lonely view
F
With the birds I’ll share
Dm
This lonely view

Under the bridge -- Red Hot Chili Peppers

2009-04-22T17:59:00.000-07:00

The Player funkmastariffmaka here shows it slow. Awesome concert here. Another incredible live version here.

Try this with your guitar. Another tab here.

Try this at home:

F#m:[xx4222]
D:[xx0232]
F#:[224432]
Ej7:[021100]
E:[022100]
Am7:[x02010]
C#m:[446654]
G6:[320000]
A:[x02220]
Fj#:[xx3210]
B:[224442]
E7:[020100]
G#m:[455444]
C:[x43010]

Intro: D+F#

Verse:

E B C#m G#m A
Sometimes I feel like I don't have a partner.

E B C#m A
Sometimes I feel like my only friend,

E B
Is the city I live in, the city of angels

C#m G#m A
The city of angels

E B C#m A Ej7
Lonely as I am together we cry

Chorus:

F#m E B F#m
I don't ever want to feel like I did that day.

E B F#m
Take me to the place I love, take me all the way,

Yeah bit

1. E,B,C#m,G#m,A 2. E,B,C#m,A

Interlude

A Am7 G6 Fj7
Oh no no no, yeah, yeah.

Bridge

Ej7 G6
One time._________________

A C
Under the bridge down-town

G6 Fj7
is where I drew some blood.

Intro x1
Verse x2
Chorus x2
Yeah x1
Verse x1
Interlude x1
Bridge x1
Yeah x1

Romance

2009-04-22T06:10:00.000-07:00



Narciso Yepes here.
Narciso Yepes habla acerca de la creación de esta Música.

Parte 1

e|7--7--7--|7--5--3--|3--2--0--|0--3--7--|
B|-0--0--0-|-0--0--0-|-0--0--0-|-0--0--0-|
G|--0--0--0|--0--0--0|--0--0--0|--0--0--0|
D|---------|---------|---------|---------|
A|---------|---------|---------|---------|
E|0--------|0--------|0--------|0--------|

e|12-12-12-|12-10-8--|8--7--5--|5--7--8--|
B|-0--0--0-|-0--0--0-|-5--5--5-|-5--5--5-|
G|--0--0--0|--0--0--0|--5--5--5|--5--5--5|
D|---------|---------|---------|---------|
A|---------|---------|---------|---------|
E|0--------|0--------|5--------|5--------|

e|7--8--7--|11-8--7--|7--5--3--|3--2--0--|
B|-7--7--7-|-7--7--7-|-0--0--0-|-0--0--0-|
G|--8--8--8|--8--8--8|--0--0--0|--0--0--0|
D|---------|---------|---------|---------|
A|---------|---------|---------|---------|
E|7--------|7--------|0--------|0--------|

e|2--2--2--|2--3--2--|0--------|---------|
B|-0--0--0-|-0--0--0-|-0--0--0-|---------|
G|--2--2--2|--2--2--2|--0--0--0|---------|
D|---------|---------|---------|---------|
A|2--------|2--------|---2-----|---------|
E|---------|---------|0-----3--|0--------|

Part 2

e|4--4--4--|4--2--0--|---------|---------|
B|-0--0--0-|-0--0--0-|5--4--4--|4--3--4--|
G|--1--1--1|--1--1--1|-2--2--2-|-2--2--2-|
D|---------|---------|--4--4--4|--4--4--4|
A|---------|---------|2--------|2--------|
E|0--------|0--------|---------|---------|

e|9--9--9--|9--11-9--|9--7--7--|7--9--11-|
B|-7--7--7-|-7--7--7-|-9--9--9-|-9--9--9-|
G|--8--8--8|--8--8--8|--9--9--9|--9--9--9|
D|---------|---------|---------|---------|
A|---------|---------|---------|---------|
E|7--------|7--------|0--------|0--------|

e|12-12-12-|12-11-10-|9--9--9--|9--7--5--|
B|-9--9--9-|-9--9--9-|-5--5--5-|-5--5--5-|
G|--9--9--9|--9--9--9|--6--6--6|--6--6--6|
D|---------|---------|---------|---------|
A|---------|---------|0--------|0--------|
E|0--------|0--------|---------|---------|

e|4--4--4--|4--5--2--|0--------|---------|
B|-4--4--4-|-4--4--4-|-0--0--0-|---------|
G|--2--2--2|--2--2--2|--1--1--1|---------|
D|---------|---------|---------|---------|
A|2--------|2--------|---2-----|---------|
E|---------|---------|0-----4--|0--------|

Repeat Part 1 and slow to end.

Fakebook: Song to Sing When I'm Lonely by John Frusciante / Shadows Collide With People (2004)

2009-04-21T08:13:00.000-07:00

A sample of the original at lastfm here. On acoustic, Youtube rip here, live on acoustic from some All Tomorrow's Parties show here. The song for guitar players goes like this:

The chords:

B (7 9 9 8 7 7)
D#m (x 6 8 8 7 6)
C# (x 4 6 6 6 4)
G#m (4 6 6 4 4 4)
F# (2 4 4 3 2 2)

Intro :

  B              D#m           C#              G#m

e------------------------6-----------------------------4-----------------------

b---------7----------------7-------------9---------------4---------------------

g-----------8----------8-----8-------------10--------------4-------------------

D-------9-----9------8----------------11------11-----6-------------------------

A-----9------------6---------------11--------------6---------------------------

E---7----------------------------9---------------4-----------------------------

  B              D#m           c#            G#m

e-----------------------6----------------------------4------4-------4-------4-

b--------7----------------7------------9--------------------------------------

g----------8----------8-----8------------10-----------------------------------

D------9-----9------8-----------------------11--------------------------------

A----9------------6---------------11-------------6-------6------6-------6-----

E--7----------------------------9----9---------4---4---4---4--4---4---4---4---

Then the changes are:

|| B D#m C# G#m || : A song to play when I'm lonely / Win and never play a game again / No one to face when I'm falling, / Holding tight to dreams that never end;

|| F# C# G#m || : I'll be you, I do, I'll be you / No one's afraid to be called, by, another name / No one dares to be put, down, where they don't belong / Nowhere's anyones reason / Everything dying and leaving;

||B F# G#m || : Out with these faults and you make me a baby / Faking a movement by no one seeing it;

|| F# G#m || : No one always finds peace flung / No one chooses to beat my pride down;

|| B D#m C# G#m || : Symbols pierce right through me / People fail to be drawn up / Sunlight to fate accumulates / Loving pain to be clung to / By luminous bodies / Only waiting for long signs to be wrong / And true to us / Out of place in my own time / Drowning thinking that I'm dry / Holding on to facts that'll never be proven / Faking an action cause no one's looking;

|| F# G#m || : Hello when I'm crashing / Feeling nothing when my life's flashing before my eyes;

|| F# C# G#m || : You should´ve threw me down / Is the content so much

These are the changes. Now make something beautiful of your own. Luminous bodies.

Riff-o-logy : Pass the Hatchet, I Think I'm Goodkind.

2009-03-18T15:43:00.000-07:00

Yo la Tengo - I am not affraid of you and I will beat your ass (2007)

Here is the Youtube rip of the original by Yo La Tengo, 2007, here is one version,

another version , and yet another version.

Monster bass riff tabbed by Ben Aitken < ben.j.aitken@gmail.com > , in standard tuning.

G|-----5-----7-------------5-----7----------|
D|--0-----0-----0--7----0-----0-----0--7----|
A|------------------------------------------|
E|------------------------------------------|

play it again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again and again. Ask an electric friend to play the guitar. Ask a drummer to keep it steady. Mumble sage words. You got it.

Captain Beefheart's Ten Commandments For Guitarists

2009-01-20T13:11:00.000-08:00

"1. LISTEN TO THE BIRDS

That's where all the music comes from. Birds know everything about how it should sound and where that sound should come from. And watch hummingbirds. They fly really fast, but a lot of times they aren't going anywhere.

2. YOUR GUITAR IS NOT REALLY A GUITAR

Your guitar is a divining rod. Use it to find spirits in the other world and bring them over. A guitar is also a fishing rod. If you're good, you'll land a big one.

3. PRACTICE IN FRONT OF A BUSH

Wait until the moon is out, then go outside, eat a multi-grained bread and play your guitar to a bush. If the bush doesn't shake, eat another piece of bread.

4. WALK WITH THE DEVIL

Old delta blues players referred to amplifiers as the "devil box." And they were right. You have to be an equal opportunity employer in terms of who you're bringing over from the other side. Electricity attracts demons and devils. Other instruments attract other spirits. An acoustic guitar attracts Casper. A mandolin attracts Wendy. But an electric guitar attracts Beelzebub.

5. IF YOU'RE GUILTY OF THINKING, YOU'RE OUT

If your brain is part of the process, you're missing it. You should play like a drowning man, struggling to reach shore. If you can trap that feeling, then you have something that is fur bearing.

6. NEVER POINT YOUR GUITAR AT ANYONE

Your instrument has more power than lightning. Just hit a big chord, then run outside to hear it. But make sure you are not standing in an open field.

7. ALWAYS CARRY YOUR CHURCH KEY

You must carry your key and use it when called upon. That's your part of the bargain. Like One String Sam. He was a Detroit street musician in the fifties who played a homemade instrument. His song "I Need A Hundred Dollars" is warm pie. Another church key holder is Hubert Sumlin, Howlin' Wolf's guitar player. He just stands there like the Statue of Liberty making you want to look up her dress to see how he's doing it.

8. DON'T WIPE THE SWEAT OFF YOUR INSTRUMENT

You need that stink on there. Then you have to get that stink onto your music.

9. KEEP YOUR GUITAR IN A DARK PLACE

When you're not playing your guitar, cover it and keep it in a dark place. If you don't play your guitar for more than a day, be sure to put a saucer of water in with it.

10. YOU GOTTA HAVE A HOOD FOR YOUR ENGINE

Wear a hat when you play and keep that hat on. A hat is a pressure cooker. If you have a roof on your house the hot air can't escape. Even a lima bean has to have a wet paper towel around it to make it grow."

*found here

How to play Guitar

2009-01-20T13:09:00.000-08:00

by David Fair

"I taught myself to play guitar. It's incredibly easy when you understand the science of it. The skinny strings play the high sounds, and the fat strings play the low sounds. If you put your finger on the string farther out by the tuning end it makes a lower sound. If you want to play fast, move your hand fast and if you want to play slower move your hand slower. That's all there is to it. You can learn the names of notes and how to make chords that other people use, but that's pretty limiting. Even if you took a few years and learned all the chords you'd still have a limited number of options. If you ignore the chords your options are infinite and you can master guitar playing in one day.
Traditionally, guitars have a fat string on the top and they get skinnier and skinnier as they go down. But the thing to remember is it's your guitar and you can put whatever you want on it. I like to put six different sized strings on it because that gives the most variety, but my brother used to put all of the same thickness on so he wouldn't have so much to worry about. What ever string he hit had to be the right one because they were all the same.
Tuning the guitar is kind of a ridiculous notion. If you have to wind the tuning pegs to just a certain place, that implies that every other place would be wrong. But that's absurd. How could it be wrong? It's your guitar and you're the one playing it. It's completely up to you to decide how it should sound. In fact I don't tune by the sound at all. I wind the strings until they're all about the same tightness. I highly recommend electric guitars for a couple of reasons. First of all they don't depend on body resonating for the sound so it doesn't matter if you paint them. As also, if you put all the knobs on your amplifier on 10 you can get a much higher reaction to effort ratio with an electric guitar than you can with an acoustic. Just a tiny tap on the strings can rattle your windows, and when you slam the strings, with your amp on 10, you can strip the paint off the walls.
The first guitar I bought was a Silvertone. Later I bought a Fender Telecaster, but it really doesn't matter what kind you buy as long as the tuning pegs are on the end of the neck where they belong. A few years back someone came out with a guitar that tunes at the other end. I've never tried one. I guess they sound alright but they look ridiculous and I imagine you'd feel pretty foolish holding one. That would affect your playing. The idea isn't to feel foolish. The idea is to put a pick in one hand and a guitar in the other and with a tiny movement rule the world. "

* found here